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Aperture exhibits its collection of prints

March 11, 2019

Exhibition

Aperture’s latest exhibition follows the evolution of its foundation through a display of photographs from its print program made over a period of fifty years. The limited-edition print program began at the New York institution in 1967 under Michael Hoffman, Minor White’s successor as director and publisher of Aperture. Working in collaboration with Paul Strand and Edward Steichen, Hoffman launched the program with a new edition of Strand’s Mexican Portfolio and a series of hand-pulled photogravure prints made under the supervision of the artists.

Phyllis Galembo, Ewokom Masquerade, Eshinjok Village, Nigeria , 2004

The print program has been integral to Aperture’s mission, providing essential support to its publishing and educational initiatives. It has also given artists a platform for selling their work prior to having gallery representation. Today, Aperture produces and publishes approximately twenty-five limited-edition prints, portfolios, and limited-edition books each year. Featuring both established and emerging artists, these museum-quality editions make photography available to a wide collecting audience.

Matthew Porter, South City , 2018
Stephen Shore, Fifth Street and Broadway, Eureka, California, September 2, 1974

The works on view in the show “Aperture Photographs” chart the progression of photography itself, presenting prints from the founding photographers of Aperture – Minor White, Edward Weston, Barbara Morgan, and Dorothea Lange – to contemporary innovators in the medium, such as Tyler Mitchell, the first Black photographer hired to shoot a cover story for American Vogue, or Vik Muniz, Todd Hido and Mary Ellen Mark. In between are some of the most significant photographers of each decade, representing seminal books in Aperture’s publication history, such as “Uncommon Places” by Stephen Shore and “Pitch Blackness” by Hank Willis Thomas. Also on view are commissioned works made on the occasion of Aperture’s sixtieth anniversary in 2012, and a series of prints made in conjunction with recent issues of Aperture magazine.

Chloe Dewe Mathews, The “Door to Hell.” In 1971, Soviet geologists were drilling in the Turkmen desert when the land gave way off the excess, but the crater has been ablaze ever since. Darvaza, Turkmenistan, 2012

Aperture Photographs

February 14-April 18 2019
Aperture Gallery
547 West 27th Street, 4th Floor
New York, N.Y. 10001

www.aperture.org

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