Current Exhibition

Inspired by Victor Hugo’s Fantômes, Markosian offers an intimate backstage glimpse into the The Cuban National Ballet’s Giselle, a story of love, betrayal and forgiveness.

Her painterly and haunting portraits have been featured in The New Yorker, capturing a fading legacy with the sensitivity of a dancer and the vision of a modern-day Degas.

“I was immediately drawn to Diana Markosian’s photographs of women dancers, writes Jennifer Homans of The New Yorker. "Markosian’s dancers almost never appear solid but instead slump, fray, duplicate, and mist at the edges.”

Step into Markosian’s dreamlike world.